The Light 
Directed by Tom Tykwer

 
THIS year’s Berlin Film Festival opens with Tom Tykwer’s The Light, where a modern Mary Poppins, a Syrian housekeeper with a powerful device, rescues a dysfunctional German family.

Set in bustling modern Berlin, the film immerses viewers in the chaos of contemporary life. The main characters belong to a middle-class family, the Engels. Tim and Milena are a couple who have lost their once-strong connection. Milena often travels to Kenya for an artistic project, while her husband focuses on his advertising career.

Their children, 17-year-old twins Frieda and Jon, and the youngest, eight-year-old Dio, embody the new generations, grappling with the complex world and their future.

Farrah, a Syrian refugee, arrives as the housekeeper and becomes the key to resolving the family’s dynamics. Formerly a psychotherapist, Farrah brings a mysterious object — “the light” from the title — that connects people with their past, offering a new perspective on life.

The director tackles ecological concerns, economic dynamics, social inequality, identity crises and the moral responsibilities of today’s global community. He employs a dynamic, colourful rhythm with quirky sequences that mix animation and musical moments, creating a kaleidoscopic effect.

His attempt to reinvent his style is somewhat kitsch, naive and overly ambitious, mixing too many elements. However, it delivers a powerful message, serving as a metaphor for our times.

Led by a brilliant cast of renowned German actors, including Lars Eidinger as the father and Nicolette Krebitz as the mother, the film may not resonate with international audiences, but its political message is timely. This is especially relevant as Germany faces complex decisions regarding the future of Syrian refugees and migration strategies. 

During the Syrian conflict, Germany welcomed one million Syrian refugees, and the future of this immigrant population is a hot topic in the political discourse leading up to the upcoming elections in Germany. The film doesn’t provide answers but instead sparks important reflections.

The Light appeals to a wide audience with its pop sensibility, telling a story of triumph over a narcissistic society. It stands out enough to transcend those trendy individuals who believe they are changing the world by cycling to work yet continue to work for major corporations, shop on Amazon and order delivery dinners. 

It is a touching and witty film that sets a new standard for contemporary family comedies, making it a strong opening for the Berlin Film Festival.