Hackney Empire, London
Oyinkan Braithwaite’s novel My Sister, the Serial Killer is the inspiration for Cassa Pancho’s dramatic ballet, accompanied by Chanel DaSilva’s A Shadow Work

Putting on rubber gloves with your pointe shoes and cleaning up a crime scene is an unusual start to a ballet. But Ballet Black’s artistic director, Cassa Pancho, has chosen Oyinkan Braithwaite’s hit novel My Sister, the Serial Killer as the source material for her new ballet, and blood-spill is inevitable.

Pancho founded Ballet Black in 2001 and has commissioned numerous choreographers over two decades but very rarely made work for the company herself. Here she shows real directorial nous (and has recruited associate choreographer Jacob Wye and rehearsal director Charlotte Broom to help generate the steps, along with the dancers). The novel is a savvy choice: a zeitgeisty title but also a story with a love triangle and high-stakes drama. While keeping dark comedy and light tone, Pancho has slimmed down the plot. Whole characters are lost, along with some nuance and backstory – the serial-killing sister in question, Ayoola (Helga Paris-Morales), comes off as a straight-up psychopath whereas in the book more layers materialise – but it’s all done with purpose. The same is true of the choreography itself, where everything has a function driven by the drama, such as the short scene showing Ayoola and older sister Korede (Isabela Coracy) bonding over a groove, establishing the connection that keeps Korede clearing up her sister’s mess.