Jack Thorne and Stephen Graham’s drama about a teen accused of murder is astounding. Its dazzling performances, and the devastating questions it asks, will linger with you

In the late 80s, there was a trilogy of dramas by Malcolm McKay called A Wanted Man. It starred Denis Quilley and Bill Paterson and at the centre had the most phenomenal performance by Michael Fitzgerald as Billy, a man arrested for gross indecency who comes to be suspected of the murder of a child. The first instalment followed his interrogation by a detective (Quilley), the second his trial and the third its aftermath. It was, and remains, the most devastating and immaculately scripted and played series I have ever seen – as close to televisual perfection as you can get.

There have been a few contenders for the crown over the years, but none has come as close as Jack Thorne’s and Stephen Graham’s astonishing four-part series Adolescence, whose technical accomplishments – each episode is done in a single take – are matched by an array of award-worthy performances and a script that manages to be intensely naturalistic and hugely evocative at the same time. Adolescence is a deeply moving, deeply harrowing experience.