St George’s, Hanover Square, London
Jonathan Cohen and his crack baroque ensemble Arcangelo seized upon the colourful pastoral with relish, lighting up Handel’s own parish church

This year’s London Handel festival got off to a rousing start with new artistic adviser Jonathan Cohen at the helm of Arcangelo, the crack baroque ensemble he founded back in 2010. On the bill was the colourful pastoral L’Allegro, il Penseroso ed il Moderato, in which wit and jollity look set to gain the upper hand before Handel decides to put a dampener on things by insisting on moderation in everything.

Faced with a shortage of Italian singers in 1740, the composer went full English, laying aside ideas for Messiah “to please the Town with something of a gayer Turn.” His librettist, James Harris, interwove Milton’s poem L’Allegro (The Happy Man) with the contrasting Il Penseroso (The Melancholy Man), before adding a codicil at the composer’s request in the form of Il Moderato (The Moderate Man). The result, which ends with a paraphrase on Shakespeare’s The Tempest, may feel a bit of a mashup, but it provided Handel with irresistible opportunities for turning vivid imagery into equally vivid music. Remarkably, he knocked the whole thing out in just 14 days.