Hackney Empire, London
Eloise Lally’s Little Italy take on Bellini’s Romeo and Juliet opera has, in Samantha Price and Jessica Cale, strong and powerful leads. In the pit however, things are less assured

An attempt at brokering peace between warring factions is made in a tense call from a phonebox to a bar where men crowd around the beige receiver. The look: double-breasted suits and Brylcreem for one gang, brown leather and rollnecks for the other. Fedoras for all. As the curtain falls on act one, a man lights a Molotov cocktail and raises his arm to lob it into enemy property. Poison comes in mini liqueur bottles. The heroine has a serving hatch, not a balcony. Forget Verona.

Even without directorial input, Bellini’s Romeo and Juliet opera has long been a red rag to purists, riffing as it does on Shakespeare’s play via multiple Italian sources. Produced in six weeks to plug a gap in the roster at Venice’s La Fenice after another composer failed to deliver, this opera-against-the-odds has never matched the popularity of Bellini’s La Sonnambula or Norma.