Hundreds of hours of original plays have been cut from the corporation’s programming in recent years. If the trend continues, a valuable training ground for writers will be lost

The BBC’s output of new original and adapted drama has more than halved since 2018 – a cut that amounts to hundreds of lost hours, although precise figures are hard to come by. At a time when interest in audio content has never been higher – the number of existing podcasts is somewhere between 3m and 4m; a hit series is downloaded millions of times a month (The Rest Is History: 29m!) – the BBC’s audio drama output is at an all-time low. As a career radio dramatist, whenever I am gloomily dwelling on this fact, the football phrase “snatching defeat from the jaws of victory” comes to mind. Because in this new era of audio storytelling and podcast ubiquity, the BBC’s incredible track record in radio drama should have proved a fabulous advantage. Instead, we are facing the possibility of extinction.

It all began with the 60-minute Friday Play (decommissioned in 2010). This was followed by The Wire (Radio 3) in 2014. The 15-minute drama in Woman’s Hour was lost in 2021. Radio 4’s Friday afternoon play became 30 minutes rather than 45 soon after. Its 60-minute Saturday play – once a weekly event – has been steadily whittled down to 12 new original dramas a year. The latest cut – Radio 3’s Sunday night drama, the UK’s last remaining 90-minute slot – has generated some press, and a petition from the likes of Judi Dench and Ian McKellan, but it is only the latest in a series of losses. BBC radio drama production staff have largely been made redundant and only a skeletal team remain in a handful of BBC radio drama departments. This amounts to an exodus of skill and talent. Many of these makers go on to create work outside the corporation, and indeed for it, but a freelance producer will struggle to make a living solely in drama.