From Bob Marley embracing the Clash to Brian Eno hurling his phone against a wall, this wide-ranging collection of music writing evokes an era in which journalists and musicians existed side by side

Vivien Goldman, the “punk professor” from London who teaches at New York University, has been involved in music from the 1970s onwards – whether writing about it, publicising it, directing pop videos, making it herself (the 1981 single Launderette) or commemorating its heroes in screenplays and musicals.

She’s best known for her punk and reggae connections: she hung out with the Sex Pistols and was Bob Marley’s PR and preferred journalist. At one point in this wide-ranging collection of her music writing, she plays Marley the Clash’s cover of Police & Thieves and, a week later, writes that she’s in a listening room at Basing Street Studios “and Bob’s voice is rolling in magical command out of the huge speakers: ‘It’s a punky reggae party…’” A movement is started, though Marley comments to Goldman that he likes “them safety pins and t’ing”, just not enough to wear them himself.