(City Slang)
Championed by Iggy Pop and riot grrrl royalty, the Brighton duo pile on the jagged riffs, scabrous humour and swearing for their politically charged debut

For the most part, Lambrini Girls’ debut album barrels along in roughly the style that’s hoisted the Brighton duo to cult success over the last few years. There are huge, distorted basslines courtesy of Lily Macieira and equally distorted guitar playing from Phoebe Lunny that flits between post-punk angularity and occasional bursts of poppier, Ramones-y chords. The rhythms are frantically paced, and there are lyrics that focus on societal ills, delivered in Lunny’s distinctive vocal style: she sings like someone angrily trying to make their point in a particularly noisy bar, as a bouncer struggles to usher them out of the door.

Combined, this music has drawn appreciative nods from a range of forebears including Iggy Pop, Kathleen Hanna and Sleater Kinney’s Corin Tucker and Carrie Brownstein. Iggy is so enamoured of the duo that he got them to collaborate on a version of Depeche Mode’s Personal Jesus that appeared alongside tracks by Andrea Corr and Rick Astley on a Trevor Horn-helmed covers album: improbable company in which to find a band whose first EP arrived in a sleeve featuring a pile of shit on fire.