In the week of Donald Trump’s inauguration, the US artist is in the UK with a show drawing on the legacy of Malcolm X – and an alternative vision for making America great again

When you are in this line of work, a question people sometimes ask is: “Of all the people you have interviewed and written about, who was the most inspiring?” And when they do, my memory often goes back to a day I spent 10 years ago driving around the south side of Chicago with the radical potter, and revolutionary urban planner, and guerrilla archivist, and situationist gospel singer, Theaster Gates.

At the time, Gates, then 41, charismatic and intellectually irrepressible, was about seven years into a project to transform the neighbourhood in which he lived – blighted by years of neglect and unemployment and poverty and related crime – into a working community of makers and artists, a place that looked after itself. While employed as a city planner and academic at the University of Chicago Gates had, he explained to me as he drove, become haunted by a fundamental question: why is it so often that the people with the least amount of imagination and the most concern for the bottom line – real estate developers – get to choose how to transform derelict urban areas? Why not the people who might care about those areas most: the citizens who grew up there and live there?