Ashmolean Museum, Oxford
From shocking images of him Sieg Heil-ing to a woodland watercolour haunted by the atrocities of war, the German artist confronts his homeland’s fascist past – and it’s never felt so relevant

When he was 24, Anselm Kiefer found his father’s old Wehrmacht uniform in the attic. This hidden, shameful family history was almost lost to time, almost forgotten, but Kiefer couldn’t let that happen. So he put on the overcoat and “Sieg Heil”-ed all across Europe, taking pictures along the way. This early art project in the late-1960s was the German artist attempting to embody and confront the past.

A picture of him doing the banned salute – forbidden in Germany under the long process of denazification – is at the heart of this show of his early works. He stands, arm raised, against a barbed-wire fence in shimmering, solarised black and white. It’s a ghostly and quiet photo, but amazingly powerful in its simplicity. That overcoat became a historical burden for Kiefer to bear in the first gesture of an artistic career dedicated to raking through history so that it would not be forgotten, or repeated.